The Uffizi, the Duomo, the Bargello — all famous. The stories behind them — the assassination, the bonfire, the hidden room — are largely unknown. Here are the best Florence curiosities.
Plan my Italy trip →The Duomo, the Uffizi, the Bargello, and the Ponte Vecchio are the visible Florence. Behind each is an extraordinary story — a murder during High Mass, a bonfire that destroyed Renaissance masterpieces, a hidden room of drawings discovered in 1975, a corridor built to avoid assassination. Here are the best Florence secrets and curiosities.
On April 26, 1478 — a Sunday, during High Mass at the moment of the Elevation of the Host — members of the Pazzi banking family and their papal allies attacked Lorenzo de' Medici and his brother Giuliano simultaneously in Florence's Cathedral. Giuliano de' Medici was stabbed 19 times and died immediately; Lorenzo was wounded in the neck but escaped into the sacristy. The specific choice of the Duomo during Mass: the conspirators (the Pazzi family, Pope Sixtus IV's nephew Francesco Salviati, and the Archbishop of Pisa, among others) calculated that the sacred moment of the Mass would prevent Lorenzo from defending himself or his guards from reacting. The calculation was wrong — the crowd's reaction turned immediately against the attackers; the Archbishop of Pisa and Francesco Pazzi were hanged from the windows of the Palazzo della Signoria within days. Lorenzo's response was characteristically Medici — a purge so comprehensive that the Pazzi family was virtually destroyed, their name banned in Florence, and their heraldic symbols removed from every building in the city. Leonardo da Vinci is documented to have sketched the bodies of the conspirators hanging from the palace windows. The conspiracy is the most significant political event in 15th-century Florence and directly influenced Machiavelli's political philosophy (his observation that conspiracies require perfect coordination among multiple parties, making them inherently difficult to execute successfully).
In 1975, the director of the Medici Chapels museum, Paolo Dal Poggetto, was overseeing construction work in the New Sacristy of San Lorenzo (the space Michelangelo designed for the Medici tombs, 1519-1534) when workers uncovered a sealed door in a basement corridor. Behind the door was a small room, approximately 6 by 3 metres, its walls covered in charcoal drawings — sketches of figures, studies for architecture, geometric designs, and the specific powerful line work of a major artist. Analysis established that the drawings were by Michelangelo and his workshop, likely made in 1530 when Michelangelo was hiding in the Medici complex after the failed siege of Florence. He had supported the Florentine Republic against the returning Medici; after the Medici returned to power, he was effectively hiding in the building of the family he had just opposed, granted protection by Pope Clement VII (himself a Medici). The drawings on the walls of the hidden room are understood to be the work done during this hiding period — studies for the New Sacristy work he was simultaneously completing above. The room can be visited by pre-booked tour (check museiitaliani.it for availability, limited groups, €10 supplement to the chapel entry); the walls retain the original drawings under protective glass.
Ten Italian cities that rarely appear on first-trip itineraries but deliver experiences comparable to the main triangle: (1) Lecce (Puglia — the Baroque capital of southern Italy, with a specific local sandstone (pietra leccese) that carves to extraordinary detail; the Basilica di Santa Croce facade is the most ornate Baroque building in Italy; the old city is compact and walkable, the nightlife around Piazza Santo Oronzo is excellent, and the accommodation is significantly cheaper than Florence or Rome); (2) Matera (Basilicata — one of the oldest continuously inhabited cities in the world, the cave-dwelling sassi have been occupied for 9,000 years; UNESCO World Heritage and European Capital of Culture 2019; approaching by car at dusk from the Murgia plateau opposite gives the most extraordinary Italian urban view after the Amalfi Coast); (3) Verona (Veneto — the Roman Arena (still used for opera, the largest surviving Roman amphitheater after the Colosseum), the Romeo and Juliet tradition, the superb Piazza delle Erbe market, 1h from Venice and 1.5h from Milan; consistently overlooked); (4) Lucca (Tuscany — the only Italian city with intact Renaissance walls (converted to a public promenade and bike path), the Torre Guinigi with the trees growing from the top, the extraordinary density of Romanesque churches in a compact pedestrian center, and almost no visitors compared to Pisa or Florence 30 minutes away); (5) Trieste (Friuli-Venezia Giulia — the Habsburg port city, the most Central European Italian city, the extraordinary coffee bar culture (the local espresso terminology is completely different from the rest of Italy), James Joyce lived and wrote here 1904-1915, and the Carso plateau above the city gives the most unusual Italian landscape in the north); (6) Orvieto (Umbria — the most spectacular Italian hilltop city after Matera, with the cathedral facade (begun 1290) producing the finest Gothic facade in Italy; the underground Etruscan and medieval cave network below the city; 1h15 by train from Rome and an obvious overnight from the capital); (7) Bari Vecchia (Puglia — the medieval old city of Bari, with the Basilica di San Nicola (the finest Norman church in Puglia), the fishermen's wives making orecchiette by hand in the streets outside their front doors (Via dell'Arco Basso and the surrounding lanes), and the most authentic street food in southern Italy at a fraction of the Naples prices); (8) Ravenna (Emilia-Romagna — eight UNESCO World Heritage monuments in a small city; the 5th-6th century mosaics at the Mausoleum of Galla Placidia, San Vitale, and Sant'Apollinare Nuovo are the finest Byzantine art in the Western world, rivaling the Hagia Sophia; 1h30 from Bologna by train); (9) Alberobello (Puglia — the trulli district, a UNESCO World Heritage town of conical stone-roofed houses unique in the world, entirely concentrated in the Rione Monti area; worth a half-day from Bari or a night in a trullo house); (10) Ferrara (Emilia-Romagna — the Renaissance Este court city, a UNESCO World Heritage site, with the Castello Estense moated castle, the most complete Renaissance urban plan in Italy, and the best bicycle culture of any Italian city).
Eight things experienced Italy visitors consistently say they wish they had known on their first trip: (1) The advance booking requirement is real and not optional. The Vatican Museums, the Colosseum, the Borghese Gallery, the Uffizi in summer — these are not "nice to pre-book" suggestions. Arriving without a booking in July produces either a 2-3 hour queue or no entry. The booking fees (€4-5 per ticket) are the best money spent in Italy. (2) The best food is never near the tourist monuments. The 300-metre rule applies in every Italian city: walk 300 metres from any major monument and the restaurant quality improves by approximately 30-40% and the price drops by 20-25%. (3) Italian cities are best experienced at city pace, not monument pace. Two hours at the Uffizi produces better memories than three museums in a day — the specific Florentine quality comes from the Botticelli room, not from having been to the Bargello and the Accademia on the same day. (4) September and October are better than July and August for almost everything. Slightly lower temperatures, significantly lower crowd density (20-40% fewer visitors at major sites after Italian school return), lower accommodation prices, and the specific quality of Italian autumn light. The only trade-off: the Cinque Terre trails and some mountain huts begin closing in mid-October. (5) The Italian lunch hour is still real. Many churches, smaller museums, and shops close 1-3pm or 12:30-3:30pm. Planning around these hours (museums before noon, long lunch during the siesta, afternoon activity from 4pm) is not time wasted. (6) The train is always better than the car in cities. Parking in Rome costs €20-30/day in a garage (street parking is essentially unavailable); in Florence the ZTL restricted zone covers the entire historic center with €100 fines for unauthorized entry; in Venice there are no cars. The Frecciarossa is faster than driving between major cities and drops you in the city center. (7) Italian coffee culture is specific and worth learning. The 30 seconds standing at an Italian bar counter, ordering espresso by making eye contact, paying €1.50, and drinking it immediately is one of the most compressed expressions of Italian daily culture. Ordering a "large coffee" or a Starbucks-style drink at an Italian bar misses the point and the experience. (8) Free doesn't mean lesser in Italy. The Pantheon interior (€5, originally free), the Trevi Fountain, the Spanish Steps, the 900 churches with extraordinary art — the cost of experiencing the finest things in Italy is very low if you know which things are free. The €20 Vatican Museums and the €0 church with a Caravaggio down the street are 200 metres apart.
Ten granular Italy practical tips from experience: (1) The Vatican dress code turns people away without sympathy. The guards at St. Peter's Basilica will turn away anyone with bare knees or bare shoulders, regardless of how much they paid for their flight or how far they traveled. The solution is always to carry a pashmina or light jacket that can be wrapped around the waist for knees and draped over the shoulders. €5 shawls are sold outside; buying one in advance is better. (2) The Colosseum is always worth seeing from outside, even without a ticket. The Forum is the real prize — the valley between the Palatine and Capitoline Hills containing 1,000 years of Roman civic architecture — and it is included in the Colosseum ticket. (3) Book train tickets on the specific departure you want, not a flexible ticket. The Frecciarossa "Base" fare is €19-29; the "Flex" fare is €49-69. The difference is the ability to change. For planned trips, Base is always the right choice. (4) Pharmacists in Italy are more medically capable than in most countries. For minor ailments, the farmacia (look for the green cross) can advise and dispense treatments without a doctor visit. This saves the cost and delay of finding an English-speaking medical service. (5) The "no photos" rule in the Sistine Chapel is enforced by guards with whistles. The flash photography ban is absolute (flash damages the Michelangelo ceiling's colors). Phone photography without flash is technically banned but practically monitored inconsistently at crowd times. The guards will loudly stop anyone who tries to take photos. (6) Via del Corso in Rome and Via Tornabuoni in Florence are the main shopping streets and are designed for window shopping, not bargain purchases. The independent shops on the parallel streets sell the same brands at lower tourist markup. (7) The Italian "€1 entry fee" is often not optional. Some churches charge €1-3 to enter even though the church appears free; the fee is collected at a small desk inside. This is legitimate and goes to church maintenance. (8) The orange grove and citrus garden rule. Any restaurant near a lemon grove on the Amalfi Coast or an orange grove in Sicily that prominently features the citrus in its decor will charge a significant premium for that view. The food will be adequate. Walk away from the grove view by 50 metres and the price drops 25%. (9) Vaporetto day passes in Venice are genuinely worth buying. The €25 24-hour pass covers unlimited journeys on the main vaporetto lines; at €9.50 per single journey, 3 journeys makes it worthwhile. Book online at actv.it to avoid the queue at Santa Lucia. (10) The single most reliable restaurant quality indicator in Italy is the presence of local workers at lunch. Any trattoria, osteria, or tavola calda where Italian-speaking workers are eating their midday meal at 12:30-1:30pm on a weekday will serve real, affordable food. Follow the workers.
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