The MART (Museo d'Arte Moderna e Contemporanea di Trento e Rovereto) opened in Mario Botta's purpose-built domed building in Rovereto in 2002 and immediately became one of the most significant modern art museums in Italy. The collection focuses on Italian Futurism (the largest holding of Futurist work in the world, including Balla, Boccioni, Severini, and Carrà), metaphysical painting (de Chirico, Morandi, Carrà's metaphysical period), and the extraordinary Depero archive — Fortunato Depero (1892–1960), the Trentino Futurist who redesigned graphic communication, advertising, book covers, and fabric as a total art programme. The building itself, with its 24-metre glass dome flooding the central court with light, is worth visiting as architecture. Rovereto is 24 km from Verona. Trentino guide →
Trentino → Plan my Trentino trip →Address: Corso Bettini 43, Rovereto (Trentino) | Architect: Mario Botta, 2002 | Hours: Tue–Sun 10am–6pm (Fri to 9pm) | Entry: €12 full, €9 reduced | Collection focus: Italian Futurism (world's largest holding), metaphysical painting, Depero archive | Distance from Verona: 24 km (30 min by train) | Distance from Trento: 24 km (20 min by train)
Mario Botta (born 1943) is the most significant Swiss-Italian architect of the late 20th century, known for his geometrically austere buildings that use alternating bands of stone (typically local granite or sandstone) to create visual rhythm. The MART building integrates the 19th-century Palazzo delle Poste building with a new wing connected by a 24-metre glass dome over the central piazza, which becomes the museum's primary circulation and gathering space. The dome is not a decorative gesture but a structural solution — the glass-and-steel framework brings natural light into what would otherwise be a dark interior courtyard, and the diffuse light quality (no direct sun) is ideal for displaying art. The architectural experience of moving through the MART — the compression of the entrance, the expansion of the dome piazza, the galleries arranged around it — is itself a component of the visit.
Futurism was the Italian avant-garde movement launched by Filippo Tommaso Marinetti's Futurist Manifesto (1909), which glorified speed, technology, violence, and youth against the static weight of tradition. The MART holds the largest collection of Futurist work in the world, including:
Umberto Boccioni (1882–1916): the finest Futurist painter and sculptor, who died in WWI before his most ambitious projects were realised. His States of Mind series (I'm leaving, Those who stay, Farewells) at the MART represent his attempt to paint psychological states through dynamic form.
Giacomo Balla (1871–1958): the Futurist obsessed with light and movement. His Dynamism of a Dog on a Leash (1912) — multiple overlapping positions of a dachshund and its owner — is the most immediately legible expression of the Futurist interest in sequential movement.
Gino Severini: the Paris-based Futurist whose work connected the Italian movement to French Cubism.
Carlo Carrà: at the MART in both his Futurist phase (The Funeral of the Anarchist Galli, 1911) and his subsequent metaphysical painting period — the transition from Futurism to the de Chirico-influenced metaphysical school is visible in consecutive rooms.
Giorgio de Chirico (1888–1978) invented metaphysical painting (pittura metafisica) in 1910–1920: the tradition of placing incongruous, oversized, classical objects in strange architectural spaces illuminated by an impossible afternoon light. The empty piazzas with long shadows, the mannequin figures, the classical column fragments among modern objects — these compositions were the direct precursor to Surrealism and influenced everything from Magritte to contemporary visual culture. The MART holds a significant de Chirico collection including several of the "piazza" paintings and the mannequin period works.
Fortunato Depero (1892–1960) is Rovereto's own Futurist — born in the Trentino, associated with Marinetti from 1915, and the figure who more than any other Futurist applied the movement's aesthetic to commercial and applied design. Depero designed advertising campaigns for Campari (the famous bittersweet aperitivo brand), book covers, tapestries, theatre costumes, and an entire "Bolted Book" (Depero Futurista, 1927 — a book held together by two metal bolts, one of the most innovative artist's books of the 20th century). The Casa d'Arte Futurista Depero in Rovereto's historic centre (a short walk from the MART) holds his own archive — an entirely separate and extremely valuable visit.
By train from Verona: 30 minutes on the Trenitalia Verona–Trento regional line (€4–6). The Rovereto station is 10 minutes' walk from the MART. By train from Trento: 20 minutes (€3). By car: A22 motorway, exit Rovereto Sud; the MART is clearly signed. Entry: €12 adults, €9 reduced. The Friday evening extension (to 9pm) is an excellent time to visit — after the day visitors have left. Time needed: 90 minutes for the permanent collection; 2.5 hours if the temporary exhibition is substantial. Combine with: The Casa d'Arte Futurista Depero in the historic centre (15 minutes' walk, separate entry), the Castel Beseno (the largest fortified complex in the Alps, 8 km south — free with the MART ticket on certain days), and the WWI battlefield cemetery and memorial at Castel Dante (Rovereto was a frontline city in WWI and has significant war memorials).
The MART (Museo d'Arte Moderna e Contemporanea di Trento e Rovereto) is a modern and contemporary art museum in Rovereto, Trentino, opened in 2002 in a building designed by Mario Botta. It holds the world's largest collection of Italian Futurism (Boccioni, Balla, Severini, Carrà), a significant metaphysical painting collection (de Chirico, Morandi), and the Depero archive. The building itself, with its 24-metre glass dome, is an architectural landmark. Entry €12; open Tuesday–Sunday 10am–6pm (Friday to 9pm).
Rovereto is 24 kilometres from Verona — approximately 30 minutes by Trenitalia regional train on the Verona–Trento line (€4–6, trains run approximately hourly). The Rovereto station is 10 minutes' walk from the MART. By car: A22 motorway north from Verona, exit Rovereto Sud, approximately 25 minutes. Rovereto is on the same rail line as Trento (20 minutes north) and easily combined with both cities in a day.
Italian Futurism was the avant-garde movement launched by Filippo Tommaso Marinetti's Futurist Manifesto (1909), which celebrated speed, technology, industrial power, and youth against the cultural weight of tradition. The major Futurist painters were Umberto Boccioni (States of Mind series), Giacomo Balla (Dynamism of a Dog on a Leash), Gino Severini, and Carlo Carrà. The movement influenced not only painting and sculpture but architecture, design, typography, film, and politics (several Futurists, including Marinetti, were associated with Italian Fascism). The MART Rovereto holds the world's largest Futurism collection.
Fortunato Depero (1892–1960) was a Trentino Futurist artist and designer who applied the movement's aesthetic to commercial and applied design more comprehensively than any other Futurist. He designed advertising for Campari, tapestries, theatre costumes, and the "Bolted Book" (Depero Futurista, 1927 — a book held together by two metal bolts). His Casa d'Arte Futurista in Rovereto (now a museum) was an entire commercial-artistic enterprise; he sold his designed objects, tapestries, and artworks from the studio. The MART and the Casa Depero together constitute the most comprehensive Depero archive accessible to the public.
MART Rovereto + Casa Depero + Trento + Dolomites — the Trentino cultural circuit in 2 days.
Plan my Trentino trip →The Casa d'Arte Futurista Depero is Fortunato Depero's own studio and commercial enterprise in Rovereto, now a museum operated by the MART. Depero established it in 1919 as an integrated studio, exhibition space, and sales room for his designed objects — tapestries, furniture, toys, advertising materials, and artworks sold directly to the public and to commercial clients including Campari. The building retains its Futurist decoration (typographic elements on the facade, the integrated design of display cases and furniture). The museum holds Depero's complete archive: original tapestries, the "Bolted Book" (Depero Futurista, 1927), advertising designs, and documentation of his New York period (1928–1930, when he worked for American advertising agencies and magazines). Entry €5, or combined with MART.
Rovereto was a significant border city in WWI, forming part of the Austrian-Italian front line. The Battle of Asiago and the Trentino campaign saw fighting in and around the city; the Castel di Rovereto (15th-century Austrian castle on the hill above the town) was a major military position. The Campana dei Caduti (Bell of the Fallen) — cast from 80 tonnes of bronze from melted-down cannons of WWI participant nations, placed in the castle in 1924 — is rung every evening at sunset as a memorial and peace symbol. The Museo Storico Italiano della Guerra (Italian War History Museum) in the castle has the most comprehensive WWI collection in northern Italy. Rovereto's dual identity as a WWI memorial city and a contemporary art museum city creates an unusual cultural combination.
The MART Futurism collection is most famous for its Boccioni holdings — the States of Mind triptych (I'm Leaving, Those Who Stay, Farewells) which are considered among Boccioni's most important paintings. The collection also holds significant Balla works (several versions of his light and movement studies), Severini's Paris-period paintings, and Carrà's transition from Futurism to metaphysical painting. The MART holds approximately 1,200 Futurist works in total (many in the collection store, with a selection on permanent display). The temporary exhibitions frequently add context by showing the international reception of Italian Futurism in France, Russia, and the English-speaking world.
Despite its physical location in Rovereto, the MART is jointly administered by the municipalities of Trento and Rovereto — hence its full name: Museo d'Arte Moderna e Contemporanea di Trento e Rovereto. The museum has a smaller exhibition space in Trento (the Palazzo delle Albere, a 16th-century Madruzzo palace outside the historic centre) that hosts satellite exhibitions from the main collection and specific thematic shows. The Trento space is less significant than Rovereto but worth checking for current exhibitions. The joint administration reflects the regional cultural policy of the Trentino-Alto Adige autonomous province, which funds the MART as a flagship cultural institution for the entire region.
Rovereto was on the front line of World War I as part of the Austro-Italian border conflict. The city was in Austrian territory (Trentino was part of Austria-Hungary until 1918) and saw significant damage; the nearby Monte Pasubio and Altopiano di Asiago were major battle zones. The Campana dei Caduti (Bell of the Fallen), cast from 80 tonnes of bronze from cannon metal donated by WWI participant nations and installed in the Castel di Rovereto in 1924, is rung every evening at sunset as a peace memorial — audible throughout the city. The Museo Storico Italiano della Guerra in the castle has the most comprehensive WWI collection in northern Italy, covering both the Austrian and Italian perspectives.